An ontology of art

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Hartmann's central thesis on the ontology of art is that works are fictions that depend upon the perceptual and imaginative activities of 

an ontology for a subset of art. Influenced by the recent interest in colours and colouring materials, mainly shared by French researchers and linguists, an ontology prototype has been developed to organize and catalogue information about artists, art works, colouring materials and related colours. The aim of the present ontology is

An Ontology of Art (review). Ismay Barwell. Philosophy and Literature, Volume 15, Number 1, April 1991, pp. 161-162. (Review).

Ontology and the Art of Tragedy is a sustained reflection on the principles and criteria from which to guide one's approach to Aristotle's Poetics.

Art is charisma, pouring out of anything whatsoever, whether we humans consider it to be alive or sentient or not." For Morton, the normative modes for thinking and talking about art ignore the agency (which he terms charisma) of the art object as well as its status as a thing that stands separate from (and equal to) all others.

The Ontology for Media Art (OMA) is a special ontology to be published in the Finto vocabulary service in three languages (fi, sv, en). Media art terms from the ontology will also be matched with and added to Wikidata to benefit the international community.

Ontologies play an important role in knowledge representation. In this paper, we address the problem of capturing knowledge needed for indexing and retrieving 

Ontologists offer a map of reality, one divided into such broad, overlapping territories as physical and mental, concrete and abstract, universal and particular. Such a map provides the setting for further philosophical investigation. Ontologists of art seek to locate works of art in this wider terrain, to say where in our universe they fit in.

An Ontology of Art [Currie, Gregory] on Amazon.com. *FREE* shipping on qualifying offers. An Ontology of Art

Ontology of art Stephen Davies In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press. pp. 155--180 ( 2003 ) Recommend Bookmark Download options PhilArchive copy This entry is not archived by us. If you are the author and have permission from the publisher, we recommend that you archive it.

theory, and demonstrate why the issue of the ontology of art has widespread implications for metaphysics and for philosophy generally. 1. A range of views A first, obvious view of the ontology of art is that works of art are just physical objects—lumps of marble, pigment-covered canvasses, sequences of sound waves or

The Ontology of Art (study 1) ( ) oil on linen 24x48 inches ZOOM + Aesthetics of Taste vs. Aesthetic Attitude ( ) oil on linen 16 x 38 inches ZOOM + A Brief study in the Axiology of

4.2 A philosophy of art: ontology and epistemology. Art analysis and art interpretation are unexplored in organisation studies. To begin this conversation, I start with a discussion on ontology and epistemology. I start with the location of 'being' and 'knowledge' since paintings have different considerations to the ontology and

The aim of this paper is to show that the ontology of artworks, as traditionally understood, may draw valuable theoretical inspiration from the latest manifestations of artistic activities which often go beyond art traditionally recognised as such by the institutional art world. Artification — that is combining art with non-art — is an example of this phenomenon. The goal is achieved in

The internal relations between the elements of the artwork as well as the interaction between artworks and artistic practices are of an improvisational nature1.

Instructive surveys of the subfield of aesthetics known as the ontology of art are fairly plentiful; see Nicholas Wolterstorff (1992), Gregory Currie (1998, ), Joseph Margolis (1998), Stephen Davies (2003a), Amie Thomasson (2004, 2006b), Guy Rohrbaugh (2005), Theodore Gracyk ( ), Robert Stecker ( ), and Carl Matheson and Ben Caplan

A wholly successful ontology of art works would tell us what things are art works and what things are not; failing that, it would give us identity 

Book Title: An Ontology of Art. Authors: Gregory Currie. DOI: https://doi.org/10.1007/978-1-349-20038-2. Publisher: Palgrave Macmillan London.

Ontologies of Rock Art is the first publication to explore a wide range of ontological approaches to rock art interpretation, constituting the basis for groundbreaking studies on Indigenous knowledges, relational metaphysics, and rock imageries.

During the Nineties, the diffusion of information and communication technologies allowed a dramatic transformation in art practices.

Proper response to an artwork—whether sculpture, painting, poem, or music performance—depends upon what that artwork is and what features it possesses. Ontology 

May 23,  · The term ontology in information science arises from philosophy where it represents “the science of what is” (Smith 2004, p. 155).More specifically, the concept of the kinds and structures of objects, properties, events, processes, and relations in every area of reality (Smith 2004) is used to add meaning in the context of information science.. In philosophy,

Ontologists offer a map of reality, one divided into such broad, overlapping territories as physical and mental, concrete and abstract, universal and particular. Such a map provides the setting

Hartmann's central thesis on the ontology of art is that works are fictions that depend upon the perceptual and imaginative activities of artists and their audiences.

First published Thu Feb 4, ; substantive revision Tue Aug 6, 2019. Heidegger is against the modern tradition of philosophical "aesthetics" because he is for the true "work of art" which, he argues, the aesthetic approach to art eclipses. Heidegger's critique of aesthetics and his advocacy of art thus form a complementary whole.

An Ontology Of Art book. Read reviews from world's largest community for readers. Rejecting Goodman's distinction between autographic and allographic art

Ontology is the study of the kinds of things there are in the world. The ontology of art considers the matter, form, and mode in which art exists.

The ontology of art attempts to understand the ontological status of works of art such as painting; sculpture; musical works; literature; drama; prints and other art forms. Determining what kinds of artworks exist and what kind a particular artwork is, requires examination of these different art kinds with respect to their existence, identity

This seminar takes this variety not just as a disagreement regarding the ontological status of art, among which one can choose, but as a symptom of a 

Sep 28,  · Definitions of “art” attempt to clarify this status, but are not a properly ontological investigation. The work left to ontologists involves characterizing those items that achieve this